Showing posts with label Sally Russick. Show all posts
Showing posts with label Sally Russick. Show all posts

9/18/13

Creating with Cabochons Reveal

We are in for a real treat today - the reveal of Sally Russick's Creating with Cabochons Challenge. I, for one, can't wait to hop around to see what everyone was inspired to create!

I love the tribal trend, and when I pulled out a rounded Ammonite and triangular Dinosaur Bone jasper from my stash of cabs, they immediately suggested a pendant in the shape of a shield. A few hours browsing the internet for ancient weaponry and I had my design!

I let the reds and gray-browns of the jasper dictate the quiet, earthy color palette. These are not colors I normally design with, so I was happy to see a flash of iridescent blue-green in the Ammonite - my design now had some depth and an accent color that can always be found on my bead table.

I captured the large jasper with a Bead-Across bezel, a technique I discovered in Jamie Cloud Eakin's Dimensional Bead Embroidery. Larger beads are added at points around the base row, and then smaller beads are strung through them to secure the component. An intriguing touch of engineering and an interesting alternative for irregular shapes, it was the perfect decorative element for my shield-themed pendant.


The neckstrap combines firepolish beads from the pendant with lustrous labradorite rounds and rectangles. The deep ruby rondelles are faceted dyed jade.

Many thanks to our hostess, Sally Russick, for inspiring us with this challenge. I had forgotten how much fun bead embroidery can be and I learned some new bezeling, edging, and construction techniques. And I'm sure I am going to learn much, much, more as I visit the blogs of all today's participants. I hope you can join me!

Your Host: Sally Russick
 


 
Cheryl McCloud            
 
          
 

7/10/13

A Challenge in Black and White

When Sally Russick of The Studio Sublime announced her Black and White Challenge, I jumped at the opportunity to step away from color, usually my primary design consideration, and focus simply on form and texture.

I splurged on a black dress for a recent trip to New England. This black dress:



I wore it to a dinner, a corporate affair, at a winery, on a cool Connecticut June evening, where a ruffle-edged white jacket, my favorite Laura Gibson dangles and statement bracelet were the only accessories needed. I'm now back home in Georgia. Gone are the ocean breezes, the cool morning mists. Gone, also, is the need for that elegant jacket. Sally's challenge was to design a piece of jewelry that uses only black and white. The challenge I gave myself was to design a necklace that would take my new black dress from Summer Staple to Something Spectacular.

I knew I wanted this project to be component based, so I began with some beaded beads.


Barrel Beads and an Octahedral Cluster from tutorials by beAd Infinitum, Discos from a tutorial by Sharri Moroshok of The Beaded Bead, and Ringlets, found in Marcia DeCoster's Beaded Opulence.


With their large holes and elegant texture, Gwen Fisher and Florence Turnour's Barrel Beads were the perfect choice to anchor the longest strand. I combined them with a collection of glass rings by Heather Trimlett that I've been saving for a special project. Completing this strand are embellished Ringlets and large Disco beads from Sharri Moroshok's easily adapted pattern. The Octahedral Cluster serves as the focal of the shorter strand, accented by Disco beads, short barrels, and perfectly named Black Tie Affair lampwork beads by April Larson of Bo's Beads.



The velvet ribbon is left long for times when I want to wear this strand long and casual with black linen and a tee.




The more-traditional short strand is 16 ½-18 inches and lays just above the neckline of my black dress. I think it would be divine on its own with a collared shirt.

Much thanks to Sally Russick for challenging us with this iconic duo. You'll want to check out all the black-and-white inspiration from today's participants.