Clio Earrings

My designs have been mainly one of a kind, but for my first time exhibiting in an Art Show later this month, I wanted to create a collection, a grouping that, although not identical, shared strong commonality. After creating a series of lariats, a theme developed – Modern Botanical – and 3mm rondelles quickly emerged as my signature design element. 

But how to use them in earrings?  Stacking them in mini-chunks, and dangling them in clusters made for great pairings with my lariats, but I also needed to find a way to use them in stand-alone statement earrings.

 

Calliope Earrings by Fusion Beads

I found this Calliope design among Fusion Bead’s Inspiration Projects, and stitched it up to see how it would translate in my more restrained color palette.

Although I liked the result very much in these autumn neutrals, I felt the flat circle and picot edging were out of synch with the rest of my collection.  Modifications were in order!

Switching out the flat circle component with a larger round wire component allowed me to keep the same diameter, but lose the fringe. My rondelles were a little smaller than the ones Fusion Beads used in their design, and I found that stacking mine gave me a more pronounced negative space. I was going for a flower, but ended up with a stellate (our botanical word of the day, meaning star-shaped). Still within my Modern Botanical theme! Since the original version was named after the Greek Goddess Calliope, I named mine in honor of her more practical sister, Clio.

As I created them in lots of colors, I documented the steps in my journal. Although I could stitch them in my sleep right now, this will head off that moment of design panic if someone asks for one six months from now!

My favorite colorway this season is still the awesome combination of Bright Cobalt, Royal Blue and Aluminum.

The Best New Tool on My Bead Table

I’ve been keeping written journals since I got my first diary for my 9^th birthday. I started keeping a visual design journal last year when I won this sketchbook from Kathleen Lange Klik of Modern Nature Studio.

In addition to my own rudimentary design sketches, that first journal holds design ideas I came across (or went searching for), simple collages of colors and shapes I found intriguing (and wanted to find a way to translate into beads), and page after page of visual to-do lists (which I became addicted to creating after reading Liza Kirwin’s book, Lists.)

 

Janice Lowry’s visual to-do list, from Lists, by Liza Kirwin.

I had a decision to make this summer when the pages of that first sketchbook were nearly full and it was time to move on to another one. Intrigued by a recent exhibit I visited on book arts, I decided to sign up for Deryn Mentock’s Artisan Daybook online class and create one myself from vintage book covers and drawing, printmaking and watercolor papers.

Deryn shared so many design techniques in this class – altering cabinet cards, creating wire forms and collaging were just a few we used on the cover.

I found my cabinet card tucked away in a shoebox in an antique store. I loved the fact that the girl was in profile, and just look at that hand muff! The photography studio imprint shows the photo was taken in Cincinnati, and the inscription on the back reads, in impeccable penmanship, “A Merry Christmas from Sister Clara, 1890.” Could Clara have ever envisioned another woman, 125 years later, giving her portrait a second life with watercolors and layers of stampings?

Sari silk and a piece of tatting given to me by my husband’s grandmother nearly 30 years ago are wire wrapped around sticks from my backyard. Isn’t that the cutest flower? I have a feeling these wire forms Deryn taught us will be finding their way into my jewelry pieces!

The pages of my first sketchbook were filled up chronologically. I can still flip to a particular design pretty easily - amazing how our designs are like offspring and we can remember them in birth order! But for my new journal, I created individual signatures for notes, earrings, bracelets, neckwear and color ideas.

The first section in my journal will be for gathering colors and patterns into palettes. Deryn’s class included several fun transfer techniques. For the cover of my first signature, I printed an avatar of my Dream Client onto a transparency and transferred her onto a watercolor and gelato background. The only art supplies I had at the beginning of this project were a beautiful set of colored pencils Kathleen gifted me with my original sketchbook. I became a frequenter of the $3 and $5 sales tables at my local Sam Flax art store!

The workshop gave us lots of techniques to make the inside pages as unique and interesting as our covers.  Adding a small envelope with tissue tape gave me a good place to capture artist cards from our recent trip to the Arts District in Asheville.

A collaged envelope is the final signature in my journal. Empty when this photo was taken, it’s now stitched into the spine and brimming with ideas I need to transfer onto the pages of my journal!

I highly recommend putting Deryn Mentock’s class schedule on your watch list. Deryn’s joy and enthusiasm for the creative process are infectious, and this workshop, besides being totally fun and inspiring, was the highlight of my summer sabbatical.