I'm quite sure I'm not the first beader to be captured by the seduction of peyote stitch. It was the first stitch I learned, and it was love at first sight. Herringbone and I had a more platonic relationship, until I began experimenting with different sized beads and realized how versatile and surprising this stitch can be.
 One of my favorite herringbone patterns is Virginia Jensen's Spinner Rims from the October 2009 issue of Bead and Button. Spinner Rims got me thinking about herringbone in a new way, and although I'd created several earrings from the pattern, had never considered using it for a pendant. I had the perfect focal for it, a turquoise, orange, and deep chocolate brown flower disc by Susan Barnes of the Fire Goddess. I love the feeling of momentum this pattern gives to the pendant.
One of my favorite herringbone patterns is Virginia Jensen's Spinner Rims from the October 2009 issue of Bead and Button. Spinner Rims got me thinking about herringbone in a new way, and although I'd created several earrings from the pattern, had never considered using it for a pendant. I had the perfect focal for it, a turquoise, orange, and deep chocolate brown flower disc by Susan Barnes of the Fire Goddess. I love the feeling of momentum this pattern gives to the pendant.The second component in my necklace uses a smaller disc in the same colorway, accented by Mexican opal teardrops.
I used peyote stitch to create a cradle to stabilize an uneven bottom surface on the second disc, and to fill in around the bezel. Staying with my complementary color palette of oranges and blues, I finished the necklace with a leaf charm and chain in artisan coppers.
Thanks to Christine and Therese for inspiring us with this challenge. Click on the links below to explore the rich possibilities of these stitches through the work of the other challenge participants.
 

 






 
 
 
