1/15/14

A Time to Stitch 4 Reveal

Therese Frank and Christine Altmiller are the creators of one of my favorite beading hops - A Time to Stitch. This is the fourth in their series, where one stitch is mandatory (in this case, netting) and participants are given a choice of three additional stitches to try (chevron, chenille and spiral were the supplementary choices for this reveal.)

I have done circular netting around an armature in the past, but, despite the fact that I loved the look, I had never tried stitching a length of horizontal, flat netting. I wanted a piece that would be dense but flexible, like fabric, and because this is a challenge, I decided on a three-bead net in a single color of size 15 charlottes. The pattern, by Beverly Herman, adds a picot edge at the turnaround at the end of each row. Very clever!

After I had stitched a couple of inches using my standard beading thread, 6# Fireline, I realized the resulting bracelet would be too flimsy for the button I'd chosen by Susan Barnes of the Fire Goddess. The weight was much improved by a test sample in 14# Fireline, but charlottes have very small holes, and the beads that received a second pass of thread were becoming too prominent in the weave. That's when I remembered a spool of 10# WildFire tucked away in a drawer. I had never used this brand before, but I quickly became a fan. It gave this project the substantial weight I was looking for, and the perfect drape!

My new bracelet called for some companion earrings, in Russian spiral. They're stitched in the same silver charlottes, with accent rows of glossy black cubes.


Much thanks to Christine and Therese for hosting us once again and for encouraging us to explore new territory. Now, hop around to all the participants' blogs where I know we're going to see some fabulous adventures in netting!


 


 

1/10/14

Year of Jewelry Project - It's Golden


Week 2's theme for the Year of Jewelry Project, It's Golden, sent me searching through my art beads for this curved lampwork focal, swirled in gold and blue. Deciding on a bracelet in freeform vertical netting, I loaded up a bead tray with all manner of gold-hued seed beads and pearls.

An afternoon spent building up five rows of vertical netting would have to be at the top of my list of pure beading fun!

This bracelet looks deceptively easy. The hardest design challenge was to tweak the length and weight of each side with the clasp attached until I could wear the bracelet without the focal shifting to the side or to the back. Much experimenting - tweak, wear for an hour, rebalance, retest - until it is now a put-it-on-and-it-stays-put, no-fuss accessory. And it looks smashing with jeans and a white tee!

1/7/14

100 Pairs in 100 Days - Week One

One of my New Year's resolutions was to join Amy Freeland of the Copper Diem blog in her 100 Pairs in 100 Days Challenge. This is Amy's second year to sponsor the challenge and she is very generously donating her designs to Ears to You. I love earrings but rarely take the time to make them, so this is a real challenge. I'm disciplining myself to make each pair first thing in the morning. And my plan is to sell mine and donate the proceeds to Doctors Without Borders.

It's January 7th, so time to reveal my first week's efforts! For this week, I decided I would go thematic, and use the color black in each pair. (Is black a color?) If your winter wardrobe has you in a downward spiral, this first pair will perk up anything drab you pull from your closet.
Tribal lampwork beads by Studio Juls. Enamel & lampwork beads by Elizabeth Girod

When the occasion calls for something a little dressier:
Sterling handformed earwires. At left, Black spinel faceted squares and mixed gemstones.
At right, Mossy Tourmalinated Quartz drops and black gold plated wavy discs

Faceted onyx and freshwater pearls;
Jet silver-foiled textured Czech lampwork, tiny sterling drops and Swarovski pearls

Lampwork beads by StudioJuls, Saki Silver leaf charms
 
Beaded Disco Beads (from a tutorial by Sharri Moroshok) and Czech glass

Amy has created a 100 Pairs/100 Days Pinterest board for everyone to post their progress. Lots of fun designs to explore! And stop by next week when my theme will be Winter Gardens. No more black!

1/3/14

Year of Jewelry Project - Week 1


One of the challenges I'm undertaking this year is the Year of Jewelry Project, a Facebook group where participants commit to creating a piece of jewelry weekly and posting it to the Facebook page and their individual blogs.

The prompt for Week 1 was Something New for Me, trying a new technique, or an old technique in a new way. I stitched up a pair of right angle weave earrings (old technique) with a (new-to-me) seed bead shape, farfalle beads. The pattern is from Maggie Roschyk's Artistic Seed Bead Jewelry, and I will be coming back to these peanut-shaped beads for more experimentation!

I picked up that hank of Czech farfalle beads at a recent bead show because their transparent, lustered finish combined two colors on Pantone's Spring Color Report.  The center of each seed bead is Violet Tulip, and the edges twinkle with Radiant Orchid, the Color of the Year for 2014. I finished the design with blackberry and pink-hued pearls and a touch of Vitrail and Indian Pink crystals.

Not daring enough (yet!) to try the full-hue exuberance of Radiant Orchid in a dress or a sweater, it's going to be a fun new shade to use in my jewelry designs! At first I thought I had very little of this year's signature color in my studio, but as I was putting away this project, I noticed pops of it on my bead tray - in my glasses and scissors!


Where are you seeing Radiant Orchid?

12/31/13

To Fresh Starts


This is what the work surfaces in my bead studio looked like a few days ago. The holidays had taken a toll! Seed beads commingle with metal files and hammers hover perilously close to stacks of delicate rose montees. Some packages await opening, others need posting.


And here's my bead table this morning. It's home to just one project … and my list of goals for the new year. I'm using Lisa Jacobs' 2014 Creative Business Planner, which asks for 25. I've committed to 16, some mini-steps, some serious strides. All promise a very creative 2014.

Intent on a goal-friendly environment so I can concentrate on said creating, my clean-up extended to the entire studio.


My thinking corner, which just 24 hours ago was piled high with the detritus of
December projects, is now a quiet spot to dream and plan.

Books and catalogs are tidied on their shelves.

Beads are closeted away by color and size in their bins and boxes.

Who doesn't love a fresh start and a clean slate?

12/19/13

Winter Blues - December ABS Challege

 

Ever since  Wassily Kandinsky's "Winter Landscape" was selected as the inspiration painting for the Art Bead Scene's December challenge, a copy has graced the wall of my studio. It has saved many a drab and dreary December afternoon - during a bout of the winter blahs, a glance at the wall is all it takes to remind me just how dazzling a winter day can be.

Kandinsky uses bold lines and colors to create the mood. My eye was immediately drawn to the winding road, and the bottom strand of my necklace is woven in a Beadinfinitum variation of herringbone to mimic its curves and colors. The focal bead, by Jessica Herrell, brings in the dark blues, purples and reds of the hillside.


The blue, yellow and green brush strokes in the sky are echoed in the accent beads in the top strand, also by Jessica Herrell. Following Kandinsky's lead, I made liberal use of pinks along with small pops of red to warm up the coolness of all that wintry blue.

If you're looking for some bright hues to chase away the winter blues, head over to the Art Bead Scene Flickr page to see more of this month's Kandinsky-inspired designs.

11/25/13

Two Spools, a Dozen Needles and One Rolling Hop

When challenged by Christine Altmiller of One Kiss Creations to create something using vintage wooden spools she found while antiquing, my first thought was: "How can I use needles in my design?" Not just in the execution, but in the design itself. My mom always had a needle in her hand when we were growing up, whether she was sewing our clothes, reupholstering the furniture, making drapes, darning socks or sitting down after dinner with her needlepoint. We loved to watch her take out the trussing needle, cut a length of colorful cotton thread and sew up the Thanksgiving turkey to secure the stuffing! It's a tradition I continue with my own family.

While talking about Christine's challenge with my husband, Dan, over dinner, he suggested cutting the spools in half (which would definitely increase my design options) and offered to do the job himself.

Holes were drilled in the center of each spool, which were then screwed into a block of wood to prevent them from flying across the deck.


The spools arrived with this lovely card from Christine, and a selection of seed beads in the same colors as the card. How could Christine know that I've never been able to resist the lure of a closed door and love to imagine the lives that are being lived out behind them? You'll find photographs of ancient doors, rustic doors, and ornate gateways in every room of my house. Second design consideration solved: Christine's card gave my project its color palette.

I selected the largest and smallest spools for my design and began researching the best way to paint them. Deciding that metallic spray paint was the way to go, I built a paint booth and began testing colors on some unfinished wooden wheels. I decided that two coats of primer followed by five coats of paint would yield the depth of color and coverage I needed. I chose Valspar's Brushed Nickel and Oil Rubbed Bronze, and left them to dry on the counter, resting on the openings in those plastic sleeves that hold beading wire on the spool. When Dan came home, he thought I had decided to make bracelets. (They look pretty cool as bangles, and I do have more spools…)


But I had chosen something a little more ornate for Christine's challenge, a necklace with a softly colored, more Elizabethan design.

A friend recently managed an estate sale and held back a few special pieces for me, including three exquisite rhinestone buttons. The top component, with its gentle slope, was easy to bezel, but the middle component, with its steep sides, proved quite a challenge. After several failed attempts, I remembered a technique Laura McCabe teaches to embellish hardware washers, and once I secured the button to peyote-stitched tabs, and linked them around the spool's rim, I was on my way!


The bottom component is an earwire form (recently learned in a Deryn Mentock class), inverted and embellished in ruby rondelles. The dangles are a collection of vintage needles, some of which I spray painted to match the spools.

I had so much fun with this project! Thank you Christine, for inviting me to join you in this challenge. If you haven't already, you'll want to make time to check out the unique and inspiring creations of those who have already revealed their designs: Janet, Cynthia (here and here), Tanya, Bobbie, Maryanne, Hope, Lisa, Liz and Kim.