I splurged on a black dress for a recent trip to New England. This black dress:
I wore it to a dinner, a corporate affair, at a winery, on a cool Connecticut June evening, where a ruffle-edged white jacket, my favorite Laura Gibson dangles and statement bracelet were the only accessories needed. I'm now back home in Georgia. Gone are the ocean breezes, the cool morning mists. Gone, also, is the need for that elegant jacket. Sally's challenge was to design a piece of jewelry that uses only black and white. The challenge I gave myself was to design a necklace that would take my new black dress from Summer Staple to Something Spectacular.
I knew I wanted this project to be component based, so I began with some beaded beads.
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| Barrel Beads and an Octahedral Cluster from tutorials by beAd Infinitum, Discos from a tutorial by Sharri Moroshok of The Beaded Bead, and Ringlets, found in Marcia DeCoster's Beaded Opulence. |
With their large holes and elegant texture, Gwen Fisher and Florence Turnour's Barrel Beads were the perfect choice to anchor the longest strand. I combined them with a collection of glass rings by Heather Trimlett that I've been saving for a special project. Completing this strand are embellished Ringlets and large Disco beads from Sharri Moroshok's easily adapted pattern. The Octahedral Cluster serves as the focal of the shorter strand, accented by Disco beads, short barrels, and perfectly named Black Tie Affair lampwork beads by April Larson of Bo's Beads.
The velvet ribbon is left long for times when I want to wear this strand long and casual with black linen and a tee.
The more-traditional short strand is 16 ½-18 inches and lays just above the neckline of my black dress. I think it would be divine on its own with a collared shirt.
Much thanks to Sally Russick for challenging us with this iconic duo. You'll want to check out all the black-and-white inspiration from today's participants.
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