Memories and Thanks Blog Hop

Is there someone who greatly influenced your direction as a beader? For me, that person would be Alice Walker of Beadazzles, the wonderfully eclectic Atlanta bead store that closed its doors in 2012. The display cases in Alice’s store were always brimming with enticing beads and components, and its walls were covered with original and unusual pieces sure to inspire. If a project was just not coming together, Alice and Beadazzles’ talented staff were there to offer design advice and usually that perfect bead to delight the most elusive muse.

I remember Alice encouraging me to sign up for a Laura McCabe class, a two-day workshop that found me, still very much a novice, in way over my head. The woman across the table noticed that I was lagging behind and quietly demonstrated each step again. She was a life-saving tutor over those two days and became a good friend. I wouldn’t be surprised if our seating hadn’t been pre-arranged! That was Beadazzles. I took many more classes at Beadazzles, from both local and national teachers, and eventually, at Alice’s urging, taught some of my own designs at the store.

Alice immediately came to mind when I read Lori Anderson’s idea to dedicate a post on January 12^th to honor someone who touched your life and made it better.

Since this is the last bead strand I purchased at Beadazzles, it was my first choice for this project. I remember when I was paying for that final purchase, the staff asked me if I was planning to use these as a whole strand, or individually. I definitely saw them used in pairs ... for earrings, or as accent pieces. Time to readjust my thinking! The tetradic colorway the beads suggest is challenging, and not for the fainthearted, but perfect for this necklace, since Alice’s favored pieces were always large in scale with lots of color.

 

I had some fantastic tourmaline cabochons in the beads’ blue-greens and red-violets, so they became my dominant colors.

 

 

I don't have a photo of Alice, so I borrowed this one (Alice is on the right), from Marcia DeCoster's blog, taken when Marcia was teaching a class at Beadazzles (before I took up beading, or I definitely would have reserved a seat for that!)  This link will take you to Marcia's post on Alice and the store.

Alice closed Beadazzles late last year, retiring, with plans to move to California to be closer to her family. Much thanks go out to her today for her care and encouragement and for many great beading memories!

Click over to Lori Anderson's blog and follow the links to the other participants in today's  Memories and Thanks Blog Hop. I'm sure we'll be treated to some fine designs and inspiring memories!

Best new thing on my bead table

Do your designs take shape through sketches, or do you prefer to let them evolve as you go?

I was three-parts excited, one-part panic-stricken, when I won this sketchbook from Kathleen Lange Klik’s Modern Nature Studio blog. It’s going to have a prominent place on my bead table this year and is already proving to be a great tool to firm up my design ideas. I wasn’t born with the ability to think visually with a pencil, so I plan to start with a basic sketch of the shape of my design, and translate my thoughts to its pages in other creative ways. To collage (perhaps literally!) my key elements together. Develop my color palette.  Plan out each step in the design and sort through possible variations. Jotting down a materials list and production notes should prove invaluable in case I want to create a second version of a piece.

Using a sketchbook has changed up my creative process, and helped me resolve some technical challenges in this lariat design before I threaded my first bead on the needle. A good start to my first project of the new year!

A Little Winter Romance

December’s inspiration for the Art Bead Challenge, Sleeping Beauty by Erte, offered some spectacular color combinations! I love its twist on the primary palette, with the darkened red and blue, muted yellow and the surprising addition of soft lavender. I decided to create a bracelet this month, and focused on an expanded complementary palette of rich red through orange-yellow, accented with the print’s deep blue.

The center strand starts with two Czech glass beads patterned very similarly to the dress in the painting! Vivid lapis rounds surround the center bead, which is one of Erin Prais-Hintz’s frosted flake charms in ginger and bezeled in brass. A brass disc bead completes the strand. I designed this strand to be reversible; warm and classic in the photo on the left, the bracelet takes on a frosty, elegant feel when the focal charm is flipped to reveal a second snowflake in steel with a silver bezel in the top, right photo.

A second strand is made up of vintage glass rosary beads in the same deep red, etched with delicate gold swirls. The last strand is a length of bronze chain embellished with bright red rondelles tipped with deep blue. The strands, which combine the rich gold of the 3-cut seed beads, the cool silver of the rosary, and the warm bronze chain, are joined by a curved bronze cuff connector handcrafted by THEAtoo.

This is one of my favorite projects of the year - what a great inspiration print to end the Art Bead Scene challenges for 2012! There's still plenty of time to join in the fun! Click over to the Art Bead Scene’s Flickr page to see all the entries for this month.

Giveaway Winner

The winner of my Saki Silver giveaway (by selection of the random number generator), is Renetha of Lamplight Crafts.

Congratulations to Renetha, and thanks to everyone who stopped by my blog and took the time to leave a comment!

Santa, I'm going to need some new tools...

Hammering, sanding, stamping, joining metals – that’s how I spent last Sunday at YaYa Beads in Augusta, getting my first taste of metalworking. YaYa Beads’ owner, Lesley, a terrifically talented jewelry designer and teacher, profiled the cold connections workshop on her Sweet Freedom blog. Here’s my first pendant.

I had to leave the pendant behind in the tumbler, and when it arrived in yesterday’s mail, I couldn’t have been more excited if the envelope had been from Tiffany’s! Oh, the possibilities! This is a skill I am definitely going to pursue in the new year!

Gratitude and a Giveaway

This Saki focal necklace with its simple quad stitch chain is on its way to my sister.  Despite a very trying year, she inspired us all by taking the month of November to post everything she was grateful for on Facebook. This is going to her to let her know how grateful I am that she’s part of my life.

I fell in love with the modern Asian design aesthetic of Saki Silver when I came upon one of their pendants at my local bead store. When I saw they were exhibiting at an Atlanta bead show last month, I was there when the doors opened, meeting and chatting with co-founder, Liz Chumtong, and learning about their company and products. The toggle that serves as the focal in my sister’s necklace is made of shibuichi, a copper/silver alloy.  Having happily spent my entire show budget at Saki, I stopped by only one other booth, manned by the Atlanta Bead Society, where I saw a very simple necklace made of quad stitch and learned it was from Beth Stone’s Seed Bead Stitching.

The palette for my neckstrap began with a tube of café au lait seed beads from Beverly Ash Gilbert. I added some bright accents with 3 and 4mm pacific opal crystals, and lots of silver beads, including 2mm sterling rounds, 3mm cubes, and 8/0 3-cuts for sparkle. To add more depth and echo the undertones in the toggle, I added some rich burgundy pearls and jet crystals.

And now for the fun part. I am so grateful to those of you who take the time to stop by my blog and share in my beading adventures. So I’m sharing some of my favorite things with you!

 

Just be a follower of my blog and leave a comment on this post. I will be sending one follower a generous portion of my bead soup recipe and two Saki toggles – a 34mm shibuichi like the one in my sister’s necklace, and because I think this soup would be fantastic with silver, a 36mm sterling silver sunburst design. And a copy of Beth Stone’s Seed Bead Stitching, where you’ll find some interesting variations on traditional stitches. I’ll choose the winner on Sunday, December 9th. Good luck! (Note: If you don’t have e-mail turned on in your profile, please leave a way to contact you in your comment.)

Three Worlds

This month’s Art Bead Scene challenge featured one of my favorite artists, M.C. Escher, and his 1955 lithograph, Three Worlds.



From the Art Bead Scene: Three Worlds depicts a large pool or lake during the autumn or winter months, the title referring to the three visible perspectives in the picture: the surface of the water on which leaves float, the world above the surface, observable by the water's reflection of the forest, and the world below the surface, observable in the large fish swimming just below the water's surface.

My design began to take shape when I spotted a large (2 ½”) sterling silver fish pendant from Luanne Keen’s Eton Street shop on Etsy. Perfect to portray the world below the surface!

I created a large teardrop shape in matte black and steel delicas to frame Luanne’s focal. A second teardrop, inset with a peyote pattern of fish scales in the lithograph’s many shades of gray, nests inside the first and shimmers through the cutouts in the fish.

A single silver leaf floats in a peyote and herringbone frame, depicting the surface, and a Taina Hartman white bronze woodland pendant represents the forest. Adding luster and contrast to the matte elements, a handmade pearl chain brings in the picture's pure black and white.

I had so much fun with this challenge! Take a minute to click over to the Art Bead Scene Flickr group to see the amazing range of designs based on Escher’s work.